噪音搖滾簡(jiǎn)介_合肥頂尖DJ培訓(xùn)學(xué)校

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噪音搖滾簡(jiǎn)介

了解更多的音樂風(fēng) 格對(duì)于職業(yè)DJ來講是很重要的，不僅要對(duì)自己領(lǐng)域內(nèi)的音樂風(fēng)格了如指掌還要適當(dāng)?shù)膶?duì)其他風(fēng)格的音樂有所了解，作為一名職業(yè)DJ，在學(xué)DJ初期都會(huì)接觸一些不錯(cuò)的類型風(fēng)格音樂，其中就包含搖滾樂，很多喜歡變形精鋼的朋友我想都對(duì)林肯公園不陌生，他們的搖滾樂讓這部好看的電影更添了幾分色彩。

本期介紹的是“噪音搖滾 Noise Rock”，頂尖DJ學(xué)校收集整理了一些不同風(fēng)格的音樂的介紹和示例，在此展示給大家互相交流，了解更多請(qǐng)百度“合肥頂尖DJ培訓(xùn)中心”！選擇知名DJ學(xué)校，教學(xué)有保障，來合肥頂尖DJ學(xué)校！

噪音搖滾 Noise Rock

噪音搖滾是另類/獨(dú)立搖滾的一個(gè)分屬流派，正如它的名字所說的那樣，它是被包裹在充滿反饋、不和諧與磨損的尖利的吉他拂動(dòng)中的搖滾樂。它占據(jù)了一個(gè)處于泡泡糖搖滾舞曲與先鋒派音樂中間的位置，是傳統(tǒng)的音樂創(chuàng)作方式與白色噪音的音速襲擊相碰撞的產(chǎn)物。

噪音搖滾派生于朋克搖滾，尤其是指那些用令人耳眩紛亂的電吉他聲來表達(dá)年輕人焦慮和自負(fù)的朋克音樂。Noise Rock就像它的前輩“無浪潮”（No Wave）一樣，其目的就是要讓音樂更加碾磨化并以此達(dá)到一種滑稽諷刺效果或是表明一種立場(chǎng)、聲明，而其音樂則總是訴諸于純粹的聲響能量。

盡管大部分Noise Rock樂隊(duì)的音樂注意力是集中在由電吉他失真所產(chǎn)生的脫粒般的聲響（有時(shí)這些樂隊(duì)也會(huì)使用一些電子儀器來作為打擊樂器或是增強(qiáng)音樂整體的不諧和），但仍有部分樂隊(duì)更加關(guān)注于聲響和歌曲結(jié)構(gòu)的融合，如先驅(qū)樂隊(duì)Sonic Youth當(dāng)把音樂的富于旋律和其單調(diào)低沉的噪音相結(jié)合時(shí)，無疑將Noise Rock帶入了更為寬廣的另類音樂聽眾中。

Sonic Youth帶來了一群模仿者，但這其中并不是所有的樂隊(duì)音樂都像它，如80年代的The Swan和Big Black的音樂就有更為黑暗、陰森的傾向，而當(dāng)時(shí)的Touch&Go廠牌在80年代末成為這種風(fēng)格的音樂的中心；再如90年代Noise Rock衍生出一些戲劇性的分支類型，這些分支經(jīng)常會(huì)被諸如“邋遢搖滾”（scuzz-rock）這樣的詞匯所形容，這種風(fēng)格的音樂是用吉他噪音營(yíng)造出一種骯臟、頹廢、令人厭惡的聲場(chǎng)（如Royal Trux, Pussy Galore, the Dwarves和 the Butthole Surfers）。

Noise-Rock is an outgrowth of punk rock, specifically the sort of punk that expressed youthful angst and exuberance through the glorious racket of amateurishly played electric guitars. Noise-rock, like its forerunner no wave, aims to be more abrasive, sometimes for comic effect and sometimes to make a statement, but always concentrating on the sheer power of the sound. While most noise-rock bands concentrate on the ear-shattering sounds that can be produced by distorted electric guitars, some also use electronic instrumentation, whether as percussion or to add to the overall cacophony. Some groups are more concerned than others about integrating their sonic explorations into song structures; pioneers Sonic Youth helped bring noise-rock to a wider alternative-rock audience when they began to incorporate melody into their droning sheets of sound. Sonic Youth produced a bevy of imitators, but not all noise-rock resembles their music -- '80s bands like the Swans and Big Black took a much darker, more threatening approach, and the Touch & Go label became a center for crazed, shock-oriented takes on the style in the late '80s and '90s. A certain theatrical sub-style of noise-rock, often described as "scuzz-rock" or with similar terms, uses the guitar noise to help create a dirty, decadent, repulsive atmosphere (bands like this include Royal Trux, Pussy Galore, the Dwarves, and the Butthole Surfers).