頂尖DJ培訓(xùn)學(xué)校音樂風(fēng)格介紹之-數(shù)學(xué)搖滾

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了解更多的音樂風(fēng) 格對(duì)于職業(yè)DJ來講是很重要的，不僅要對(duì)自己領(lǐng)域內(nèi)的音樂風(fēng)格了如指掌還要適當(dāng)?shù)膶?duì)其他風(fēng)格的音樂有所了解，作為一名職業(yè)DJ，在學(xué)DJ初期都會(huì)接觸一些不錯(cuò)的類型風(fēng)格音樂，其中就包含搖滾樂，很多喜歡變形精鋼的朋友我想都對(duì)林肯公園不陌生，他們的搖滾樂讓這部好看的電影更添了幾分色彩。

本期介紹的是“數(shù)學(xué)搖滾（Math-rock）”，頂尖DJ學(xué)校收集整理了一些不同風(fēng)格的音樂的介紹和示例，在此展示給大家互相交流，了解更多請(qǐng)百度“合肥頂尖DJ培訓(xùn)中心”！選擇知名DJ學(xué)校，教學(xué)有保障，來合肥頂尖DJ學(xué)校！

數(shù)學(xué)搖滾 Math Rock

數(shù)學(xué)搖滾（Math-rock）是一種實(shí)驗(yàn)性的搖滾風(fēng)格，80年代后期萌芽于美國。

數(shù)學(xué)搖滾曲風(fēng)大多混合噪音搖滾（Noise rock)、后搖滾(Post rock)、前衛(wèi)搖滾(progressive rock)、簡約音樂(Minimal music)、電子音樂(Electronic music)等。它的一個(gè)特點(diǎn)是編曲復(fù)雜，經(jīng)常使用不規(guī)則停頓或開始、不自然節(jié)拍結(jié)構(gòu)（odd time signatures）、棱形旋律（Angular melody）、對(duì)位法（counterpoint）、延伸和弦（extended chords）、不協(xié)調(diào)和弦（dissonant chords）、非典型和弦進(jìn)行(atypical Chord progression）。一般搖滾樂都以 4/4 拍作歌曲結(jié)構(gòu)，而數(shù)學(xué)搖滾則頻繁使用不對(duì)稱節(jié)拍，如 7/8 拍, 11/8 拍, 13/8 拍，并于歌曲中交錯(cuò)換拍，例如一小段 9/8 拍，轉(zhuǎn)換至 8/8 拍，再轉(zhuǎn)換至 6/8 拍，讓聽眾有錯(cuò)摸的詭異感覺。又例如，在同一首樂曲使用 3/4 拍的鼓、4/4 拍的吉他、3/4 拍的低音吉他，卻讓每樣樂器巧妙地于不同音軌上“對(duì)在一起”，聽起來又順暢不礙耳。因復(fù)雜結(jié)構(gòu)如數(shù)學(xué)運(yùn)算，故此稱為“數(shù)學(xué)搖滾”。
Math Rock和后搖滾（Post Rock）有點(diǎn)沾親帶故，更為人熟知的是其作為Indie-Rock風(fēng)格，它和Indie-Rock有著相近的音樂取向。在Post-Rock有著明顯的爵士樂影響的地方，Math Rock則就如同是一枚硬幣的反面－它的音樂顯得濃厚而復(fù)雜，同時(shí)充滿著艱澀的拍子記號(hào)和纏結(jié)在一起的樂段。而且，這種音樂比后搖滾要更為搖滾一些，因?yàn)?它通常是由以吉他為主樂器的小樂隊(duì)演繹。 Math Rock在90年代中期達(dá)到頂峰，那時(shí)，像Polvo和Chavez這些樂隊(duì)在大學(xué)校園的獨(dú)立搖滾樂人中有少數(shù)專注于這種音樂的追隨者。

Math rock is a genre that developed in the late 1980s to early 1990s via the influence of bands such as Slint, Drive Like Jehu and Shellac who added to the already established sounds of Noise Rock and Post-Hardcore a sense of rhythmic variety and complexity that was claimed by many critics to sound almost mathematical, eventually being coined "math rock". It became a large influence on some underground movements in the US and became a common instrumental style of certain genres including many bands of the Midwest Emo and Indie Rock scene.

By the dawn of the 21st century the sound of math rock was even more riff focused. Emphasised by polyrhythmic and winding yet consonant guitar riffs with the bass often used as a counter melody, vocals were usually used as a secondary instrument to the guitar or not at all. The genre took further influences from Jazz-Rock and Post-Rock often sounding both accessible and experimental with the dissonance of earlier math rock groups being far less dominant. Modern math rock groups include Don Caballero, Hella, 65daysofstatic and Tera Melos. Some modern groups have also acquired mainstream success whilst using math rock influences. These bands include Battles, Minus the Bear and Foals that further show math rock's gradual divergence from the underground.