什么是藝術(shù)搖滾？_合肥頂尖DJ培訓(xùn)學(xué)校

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什么是藝術(shù)搖滾？

了解更多的音樂(lè)風(fēng) 格對(duì)于職業(yè)DJ來(lái)講是很重要的，不僅要對(duì)自己領(lǐng)域內(nèi)的音樂(lè)風(fēng)格了如指掌還要適當(dāng)?shù)膶?duì)其他風(fēng)格的音樂(lè)有所了解，作為一名職業(yè)DJ，在學(xué)DJ初期都會(huì)接觸一些不錯(cuò)的類型風(fēng)格音樂(lè)，其中就包含搖滾樂(lè)，很多喜歡變形精鋼的朋友我想都對(duì)林肯公園不陌生，他們的搖滾樂(lè)讓這部好看的電影更添了幾分色彩。

本期介紹的是“藝術(shù)搖滾 Art Rock”，頂尖DJ學(xué)校收集整理了一些不同風(fēng)格的音樂(lè)的介紹和示例，在此展示給大家互相交流，了解更多請(qǐng)百度“合肥頂尖DJ培訓(xùn)中心”！選擇知名DJ學(xué)校，教學(xué)有保障，來(lái)合肥頂尖DJ學(xué)校！

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藝術(shù)搖滾 Art Rock

藝術(shù)搖滾是一種試圖將古典音樂(lè)融入其中的搖滾樂(lè)。其特征為：結(jié)構(gòu)較為龐大，和聲語(yǔ)言較為復(fù)雜，并常借用古典音樂(lè)中的主題作為素材，并注重音樂(lè)的邏輯性和音樂(lè)素材的簡(jiǎn)練、統(tǒng)一。

藝術(shù)搖滾（Art Rock）于60年代末興起于英國(guó)的一些受過(guò)古典音樂(lè)熏陶的搖滾音樂(lè)家中間。"披頭士"樂(lè)隊(duì)的《佩普軍士孤心俱樂(lè)部樂(lè)隊(duì)》概念專集唱片被認(rèn)為是"藝術(shù)搖滾"的先驅(qū)。 70年代中期，美國(guó)也出現(xiàn)了類似的傾向。"艾莫森、雷克與帕爾莫"（Emerson， Lake and Palmer）樂(lè)隊(duì)將穆索爾斯基的《圖畫(huà)展覽會(huì)》改編為搖滾樂(lè)；Yes樂(lè)隊(duì) 在《接近邊緣》中運(yùn)用了古典奏鳴曲式。著名的美國(guó)樂(lè)隊(duì)還有"紐約玩偶"（ new York dolls），"路·里德"（Lou Reed）和"帕蒂·史密斯"（Patti Smith）。他們不強(qiáng)調(diào)搖滾樂(lè)與古典音樂(lè)的表面聯(lián)系，而注重音樂(lè)邏輯的嚴(yán)密與音樂(lè)素材的簡(jiǎn)練、統(tǒng)一，并由此啟迪了朋克音樂(lè)與新浪潮音樂(lè)的產(chǎn)生。

藝術(shù)搖滾的創(chuàng)作一般可分為兩種：一種是比較簡(jiǎn)單的做法，在搖滾樂(lè)中引用古典音樂(lè)片段，或把一首古典音樂(lè)作品改編成搖滾風(fēng)格；另一種做法是將搖滾樂(lè)隊(duì)和管弦樂(lè)隊(duì)（或其他古典音樂(lè)合奏形式）混合而成，或者用搖滾樂(lè)語(yǔ)言按古典音樂(lè)的發(fā)展手法、結(jié)構(gòu)形式創(chuàng)作而成。

The term art rock has been employed to describe several works of Rock music developed right after the 1960s Psychedelic Rock explosion. Following on the heels of this phenomenon, art rock has been the result of musicians developing an interest towards a handful of forms of music out of the boundaries of rock and, in general terms, making an attempt to break away as much as possible from the constrains imposed by Rock & Roll (or from the roots of rock itself, which, in turn, inspired genres like Blues Rock, Country Rock or U.S. Folk Rock). A non-musical factor that could explain this development is the conscious transition that certain rock (and non-rock) artists made from singles-based music towards a bigger development of the album as a cohesive lyrical and thematic whole (an important step towards the popularization of the so-called Concept Album) as shown by the 1966–1967 set of examples like Pet Sounds, Freak Out!, The Who Sell Out or Sgt. Pepper's Lonely Hearts Club Band (which can be counted as forerunners of later art rock).

The Velvet Underground & Nico, which interpolated raw Garage Rock and psychedelia with lengthy Modern Classical-inspired drone and noise passages, unorthodox guitar tunings with heavy use of feedback, and subject matter generally centered around stark lyrical topics (all tied in with elaborate pop art-inspired imagery and live performances) is considered by critics and fans as the starting point of art rock. This template of limit-breaching rock music, concept-oriented LPs and complex live performances would be the basis for many artists during the 70s that added various influences to this archetype, including Jazz, Western Classical Music, Funk, avant-garde and early Electronic and Ambient music (and even instrumentation typical of some of these styles). Examples of art rock musicians during this stage include Roxy Music (along with the solo careers of Brian Eno and Phil Manzanera, as well as the Roxy-related 801), Pink Floyd, Station to Station/Berlin trilogy-era David Bowie, Peter Gabriel, Barclay James Harvest, Steve Harley/Cockney Rebel and ex-Velvet Underground members Lou Reed and John Cale.

Ever since its beginnings, art rock has shared connections, musical ties and even presents apparent overlaps with Experimental Rock and Progressive Rock (eventually also bearing a relationship with styles like Art Pop, Glam Rock, Krautrock and Jazz-Rock). While art rock strives to find a level of complexity similar to the one present in these two affiliated genres, it generally features a mix of rock music that tends to follow certain Pop-based structures or patterns along with the aforementioned set of eclectic influences and certain degree of complexity and conceptuality, in contrast to the more classical/jazz-mimicking or inspired patterns of prog suites, or the more radical and angular experimental rock.

After the Punk Rock explosion of the second half of the 1970s, art rock dissolved, during the following decades, into other forms of rock music, including (but not limited to): Post-Punk, New Wave, Art Punk, and Post-Hardcore. The 1990s and 2000s would then see a series of newer bands taking inspiration from the musical and conceptual leanings of 60s/70s art rock acts (along with other influences) and as such, groups like late-90s/early-00s Radiohead, The Mars Volta, TV on the Radio, dEUS, АукцЫон [Auktyon], and The Mollusk-era Ween have been commonly credited with reviving popular interest in the genre into the new millennium.