入侵式搖滾--默西之聲 Merseybeat_合肥頂尖DJ培訓(xùn)學(xué)校

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入侵式搖滾--默西之聲 Merseybeat

了解更多的音樂(lè)風(fēng) 格對(duì)于職業(yè)DJ來(lái)講是很重要的，不僅要對(duì)自己領(lǐng)域內(nèi)的音樂(lè)風(fēng)格了如指掌還要適當(dāng)?shù)膶?duì)其他風(fēng)格的音樂(lè)有所了解，作為一名職業(yè)DJ，在學(xué)DJ初期都會(huì)接觸一些不錯(cuò)的類(lèi)型風(fēng)格音樂(lè)，其中就包含搖滾樂(lè)，很多喜歡變形精鋼的朋友我想都對(duì)林肯公園不陌生，他們的搖滾樂(lè)讓這部好看的電影更添了幾分色彩。

本期介紹的是“默西之聲 Merseybeat”，頂尖DJ學(xué)校收集整理了一些不同風(fēng)格的音樂(lè)的介紹和示例，在此展示給大家互相交流，了解更多請(qǐng)百度“合肥頂尖DJ培訓(xùn)中心”！選擇知名DJ學(xué)校，教學(xué)有保障，來(lái)合肥頂尖DJ學(xué)校！

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默西之聲 Merseybeat

默西之聲是英式入侵的音樂(lè)源頭，它強(qiáng)勁而有旋律性，是美國(guó)的搖滾與R&B,以及英國(guó)的噪音爵士的混合體。披頭士早期的唱片，如"Please Please Me" 和 "Love Me Do" ，就是這種流派的原型。不久之后，其它一些利物浦的樂(lè)隊(duì)，如Gerry & the Pacemakers, Billy J. Kramer, 和 the Searchers也追隨了此種風(fēng)格。它之所以被稱(chēng)為“默西之聲”是因?yàn)槔锲帜菞l叫默西的河，此種風(fēng)格在整個(gè)1963年和1964年的前半年極其風(fēng)靡。但沒(méi)過(guò)多久，一些R&B導(dǎo)向的樂(lè)隊(duì)，如the Rolling Stones, the Kinks, 和 the Yardbirds出現(xiàn)了，同時(shí)出現(xiàn)的還有一些流行團(tuán)體，如the Hollies 和 Freddie & the Dreamers。雖然這些團(tuán)體都受到了默西之聲的影響，但是這種風(fēng)格本身卻漸漸失去了根基，而披頭士樂(lè)隊(duì)也將他們的風(fēng)格形式擴(kuò)展到了更廣的范圍。

Merseybeat is a light, highly melodic style of Beat Music popular in the UK during the early 1960s, named due to the abundance of bands from Liverpool beside the River Mersey. Merseybeat groups characteristically had simple guitar-dominated line-ups, with close vocal harmonies and catchy tunes. The resulting sound is chirpy, bouncy and simplistic, drawing influences from Rock & Roll, British Rhythm & Blues and late 1950s/early 1960s singles by acts such as Buddy Holly & The Crickets and Cliff Richard & The Shadows. The release of The Beatles' "Love Me Do" in October 1962 is an important focal point for the huge popularity of the sound between 1963 and 1965 in the UK (and the early first 'British Invasion' in the USA), with bands such as Gerry and The Pacemakers, Billy J. Kramer & The Dakotas, The Searchers, The Merseybeats and The Fourmost achieving consistent success in the hit parade.

The most popular line-up comprised of lead, rhythm and bass guitars with drums. It is typified by the synchronization of the bass guitar (usually playing only the root and fifth notes of the chords) and the bass drum. Unlike in rock & roll, Merseybeat groups often incorporate two and three-part harmonies, and even those with a separate lead singer will often sing both verses and choruses in close harmony; the Liverpool accent also has a major role in the distinctive overall sound. Although there are instrumental breaks, the focus is on the presentation of the song rather than instrumental prowess.

It is important to note that merseybeat is not simply a synonym for "any beat music made by Liverpudlian bands". This is exemplified by the rougher, more proto-Garage Rock sounds of "Walking the Dog" by The Dennisons and "Peter Gunn Locomotion" by Freddie Starr and The Midnighters.